An entertaining interlude

A country girl from South Australia, Norma Murdock moved to Melbourne to follow her dream of becoming a singing sensation. When she tired of the spotlight she returned to SA, but found herself following her heart to the big city once more. Now she’s Norma Spalding and a member of the Probus Club of Langwarrin. 

Norma was a very protected 19-year-old country girl, who in 1944 was happily working in the Customs Department Office in Port Pirie, South Australia.

Norma’s mother was a pianist. Friends would often gather around the piano to hear Norma’s heavenly voice and, despite her shyness, Norma eventually came out of her shell and, with encouragement from her friends, would often sing at the local dances.

The war was on.

It was important to keep spirits up so a Concert Party was formed to raise money and entertain the locals and more importantly the Air Force boys stationed in Pirie.

Norma was a soloist, singing bluesy numbers and along with other artists delighted the packed Town Hall audiences night after night.

Eventually, Norma was noticed by a producer, who encouraged her to audition for J. C. Williamson’s, hoping that she would be good enough to join the Musical Comedy chorus in Melbourne.

After a successful first audition in Adelaide, Norma’s parents gave her permission to travel
to Melbourne where accommodation in a private boarding house in Burnley was arranged. “Moving to Melbourne was scary,” Norma says. “But because the accommodation was pre-arranged and the landlady was an aunt of a friend, I always felt welcomed.”

After another audition at the theatre in Melbourne, Norma was in.

She went immediately into rehearsals for the chorus of Rio Rita with Gladys Moncrieff, John McCallum and other principals.

Norma soon found that her newfound employment was exhausting. She worked six nights a week plus two matinees.

Homesickness didn’t help but Norma loved every moment of every show in which she performed, including Rio Rita, The Merry Widow, Maid of the Mountains, Victoria and her Hussar and Rose Marie.

Performing the totem dance from Rose Marie in the heat of summer, right over the footlights and with several encores, took its toll.

Following the end of the war when peace was declared, artists were asked to perform extra matinees. “My weight was down to barely over a stone and I was utterly exhausted,” Norma explains. “It eventually forced my retirement.”

By Norma’s 21st birthday, she was home and back into office work.

Of course, she missed the wonderful company of the girls she had befriended but realised that there was one person she missed more than anyone else.

“I met Harold on his return from New Guinea where he’d been fighting,” says Norma. “He was my landlady’s son.”

Harold and Norma kept in contact upon her return to South Australia. But before long, Norma was back in Melbourne and back with Harold.

In 1947 Norma Murdock became Norma Spalding.

After spending a number of years in Colac, the couple settled back in Melbourne.

As their golfing days came to an end a few years ago, a friend recommended Probus to fill the void. Harold and Norma missed the social interactivity that golf had always provided. So, five years ago, they joined the Probus Club of Langwarrin.

Harold and Norma are now in their 66th year of married bliss.

Although Norma didn’t sing professionally again, if you’re lucky, you may just catch a tune.

An entertaining interlude is available for download.

Hold history

Alison Rourke traded in a career interviewing prime ministers, presidents and CEOs to come home and record personal histories for families to cherish. 

“Lisa Upton and I both had careers in international journalism and we spent a lot of time abroad covering war zones before we started Storylines. When we came back to Australia a few years ago with young families, we wanted to find a way that we could still use those journalism skills in a really meaningful way.

When we were working internationally, we’d interview hundreds of people including presidents, prime ministers and CEOs. But so often, it’s the personal stories that last with us. Storylines records people’s memories. Our tagline is ‘memories on record’ and they’re personal stories for families, rather than for publication.

People say: “Oh gosh, is my story interesting enough?” Everybody has an extraordinary story. It’s part of their family’s jigsaw and if some of it is missing then the jigsaw is not complete.

We interview the person, write their stories in first person and publish beautiful coffee-table books with photos. We also occasionally do audio CDs and films. There is always information that comes out that is extraordinary to the family. We’ve had the training to stand back and manage the process delicately, allowing the interviewee to say as much as they want to say and really be able to pass that story on.

It’s also the ‘stranger in the lift’ phenomenon; we aren’t clouded by preconceived notions of the person’s life, or snippets of stories we have heard before. If you’re interviewing your own family there’s an emotional dynamic.

Sometimes people don’t know where to start. We send out questionnaires before our interviews and we give people plenty of guidance about the sorts of things that they might like to think about. Some people choose to focus on a specific time and others want to go right back to their childhood.

Ultimately when people commission something from us, it’s their project; they’re the editors-in-chief. We bring guidance. We’re actually doing all the work and they’re enjoying themselves and maybe having a cup of tea at the same time.

Family stories are just as rewarding as any story you would work on in the international arena. It’s a legacy for future generations so in 100 years’ time when family members look back, they can say ‘oh that’s where I came from’.”

Hold history is available to download.